Back in November, Hasselblad announced (among other things) that the originally-planned XCD 22mm lens on the mirrorless X1D lens roadmap would actually be released even wider: as a 21mm F4. This week, that promise became a reality.

Announced yesterday, the Hasselblad XCD 21mm F4 for the mirrorless medium format X1D camera, is officially Hassleblad's widest lens ever.

"The high-performing 21mm f/4 lens brings together the compact format of the XCD range with the maximum optical quality across the frame with a wide field of view," reads the press release. "The XCD 21mm has an extremely short focal length that provides a 17mm full frame equivalency."

Sample Photo Credit: Hasselblad

The 17mm full-frame equivalent lens features an optical design made up of 13 lens elements in 9 groups, including 2 aspherical elements. The aperture range runs from F4 to F32, an integrated leaf shutter lets you flash sync up to 1/2000th of a second (like all the XCD lenses), and there's also a 32cm "close distance setting" that gets you a 1:10 magnification ratio.

The lens is already live on Hasselblad's website and available for pre-order online. It's scheduled to ship "mid-May" for $3,650 USD / 3,000 Euro / £2,750 GBP excluding VAT. To learn more, visit the Hassleblad website.

Lens Specifications (source):

• Focal length: 21.8 mm
• Equivalent Focal length (24x36): 17 mm
• Aperture range: 4 - 32
• Angle of view diag/hor/vert: 105°/92°/75°
• Length/diameter: 106 mm/83 mm
• Weight (excl. covers and lens shade): 600g
• Filter diameter: 77 mm

XCD Lens Roadmap:

Press Release

Hasselblad has added a bunch of new features to the X1D and H6D in firmware updates released yesterday. Version 1.21 adds a white balance sampler tool, audio notifications, tethered image support, the option to zoom in to 100% with a single button press when reviewing captured images, and more to both models, in addition to a few model-exclusive updates.

The X1D gets exposure bracketing for the first time, with the option to use 0.3EV, 0.5EV, 1EV, 2EV or 3EV steps across 2, 3, 5, 7 or 9 frames. Users can choose the sequence of the frames and whether the aperture or shutter speed is used as the variable in manual exposure mode. A new intervalometer has also been added, allowing users to create timelapse sequences with no limit to the number of frames recorded. The mode offers fixed lengths of 2 to 99 frames, but also a mode that will continue shooting until the action is stopped manually. Images can be recorded with intervals of 2 to 60 seconds.

Handling changes to the X1D with the latest firmware included adding the ability to scroll through recorded images while zoomed in when using the EVF, and a mode that automatically zooms in to the area beneath the focus point immediately after picture is recorded. There is now an option to set a shutter speed limit when using Auto ISO, a reworking of the crop mode cycle that makes finding the one you want quicker, and autofocus support for all lenses from the H system (other than the 120mm macro) when the camera is fitted with the XH adapter.

The biggest change for H6D users is the introduction of custom profiles that will make it quicker to switch between configurations of settings for different shooting conditions. Seven profiles can be recorded for individual shooters or for when more than one photographer uses the same camera.

For more information, and to download the new firmware, visit the Hasselblad website.

Press Release

It's not every day you have the opportunity to shoot with a lens like the Hasselblad XCD 21mm F4. It's currently the widest lens in the company's medium-format lineup (and the widest lens on the roadmap, for that matter). It's also, as we discovered, incredibly sharp. You'll see plenty of detail in the 50MP image files in the gallery above, and if there's a 100MP future for Hasselblad's XCD system, we think the 21mm will do just fine.

Take a look at a selection of sample images from DPR contributor Damien Demolder, and be on the look out for more to come as we get our hands on one in Seattle.

Swiss camera and lens manufacturer Alpa has launched ALPA HXD, a new adapter for mounting Alpa lenses on Hasselblad X-mount cameras.

An interesting feature of the adapter is that in addition to mounting individual Alpa lenses onto Hasselblad X1D camera bodies, you can also mount an X1D directly onto the back of an entire Alpa camera module, effectively turning the X1D into a digital back for Alpa camera systems.

The adapter works with Alpa and Rodenstock SB17 and SB34 lenses with focal lengths between 32mm and 180mm. Longer focal length SB34 lenses can also be used if you stitch multiple photos together in post-production, but Alpa says to check the online compatibility guide.

Alpa notes 'lenses for Hasselblad V, Pentax 67 and those with PL mount can be attached via the respective ALPA lens modules' as well. Below is a gallery of images captured with various Alpa/Rodenstock lenses and camera modules attached to a Hasselblad X1D via the adapter:

Shooting can be done in full manual mode, as expected, but Alpa specifically mentions the ability to use the Hasselblad X1D's aperture priority mode for 'comfortable and easy' shooting. Alpa also emphasizes how the electronic viewfinder on the Hasselblad X1D makes it easy to focus with its focus peaking function.

The Alpa HXD is priced at CHF 759.00, which comes out to roughly USD $762 at the current exchange rate. You can find more information and order an adapter on Alpa's website.

A new eBay listing offers two "really moldy" Hasselblad 500c cameras with 80mm planar lenses and backs, as well as three extra backs and a mixture of exposed and unexposed film. One camera, the listing explains, has a prism finder, and there's also mention of a functional speed focus handle.

Needless to say, the entire kit is being sold as-is with an allergy warning for potential buyers who are sensitive to mold. The auction ends on Thursday, July 26, and currently resides at a price of about $18 USD.

Via: eBay

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Jump to conclusion

The Hasselblad X1D-50c is a 50MP mirrorless medium format camera, built around a 44 x 33mm sensor that's 70% larger than 'full frame.'

It's the smallest camera by far to feature such a large sensor and, as well as offering adapted compatibility with older Hasselblad HC and HCD lenses, the X1D sits at the center of a new system with its own family of XCD lenses.The result is the most convincing camera for photography outside the studio that Hasselblad has made in some time. That doesn't mean the X1D is a speed demon (it isn't), but activities such as landscape shooting suddenly seem more practical.

XCD 45mm F3.5 | ISO 100 | 1/800 sec | F8

Key Features:

• 50MP, 44 x 33mm medium format CMOS sensor
• 12.4MP preview JPEGs or '3FR' 16-bit losslessly-compressed Raws
• 2.36M-dot electronic viewfinder
• 920k-dot (VGA) 3.0" touchscreen
• Designed to use leaf-shutter lenses
• Tethered shooting over USB 3.0 or Wi-Fi
• Full TTL compatibility with recent Nikon Speedlights

The X1D is available in silver or black at a list price of $8,995/£7788/€7900. Five native lenses are available at the time of writing.

What's new and how it compares

The X1D is the smallest medium format camera on the market, helped by the decision to build a system that features leaf shutters in all the lenses. Read more

Body and controls

The X1D has a relatively minimalist control system but a series of firmware updates has seen it become more refined. Read more

What's it like to use?

Operational speed and battery life limit the variety of shooting situations in which the X1D excels. Read more

Image Quality

The X1D's large, modern CMOS sensor performs well and is cleverly used at higher ISO settings. Read more

Conclusion

The X1D is has a lot to offer beyond just luxury appeal but the quality of its rivals count against it. Read more

Owners of V-mount Hasselblad lenses will now be able to use their modern and historic glass on the front of the Hasselblad X1D. The XV adapter hinted at late last year has now been officially announced and will cost €199 / $249 / £179.

This adapter opens the X1D system to over sixty lenses that go back to the beginning of the Hasselblad square format and right up to the beginning of the H system, while the XH adapter allows the fitting of lenses up to the current day. With the XPan adapter as well, Hasselblad now has a solution to allow all its lenses to be used on the X1D.

As there are no mechanical connects between the camera and the lens adapter the X1D will only function in electronic shutter mode and of course focus and aperture control will be manual only. The adapter weighs 227g, and measures 64mm in length and 84mm in diameter.

For more information see the Hasselblad website.

Press release

Hasselblad has announced three new lenses and one teleconverter for its XCD lens system. The lenses are the XCD 80mm F1.9, the XCD 65mm F2.8 and XCD 135mm F2.8, all of which are designed for the X1D digital medium format camera. In all, this brings the system to nine focal lengths covering 21-230mm (16.6-178mm full-frame equivalent).

The standout lens for most users will be the XCD 80mm F1.9, which is not only the fastest lens currently in the X System, but the fastest lens Hasselblad has ever released. Offering a field of view equivalent to 63mm and depth-of-field equivalent to F1.5 on a 35mm full-frame system, Hasselblad claims that the lens comes with 'superior optical surface precision' on its aspherical elements to allow for smooth bokeh and a twin motor drive for quick autofocus.

At 1045g (2.3lb), the 80mm F1.9 is currently the heaviest lens in the XCD lineup.

It has 14 elements in 9 groups and, at 1045g (2.3lb), it's currently the heaviest lens in Hasselblad's XCD lineup.

Hasselblad has also announced the XCD 65mm F2.8, with a 51mm equivalent field of view. With a close-focus distance of 0.5m (20in), the lens is positioned as a versatile option for street and travel photography.

Lastly, the company has announced the XCD 135mm F2.8 alongside the X Converter 1.7. On its own, the 135mm F2.8 provides roughly a 107mm field of view and a close focus distance of 1m (3.3ft). The lens and 1.7x teleconverter were designed to be paired without any loss of optical quality, and together offer a 230mm (178mm equivalent) field of view, F4.8 maximum aperture and a minimum focus distance of 1.05m (3.5ft).

As with all current XCD lenses, the 80mm, 65mm and 135mm lenses come with built-in leaf shutters to allow for full flash synchronization up to 1/2000s shutter speed.

They are all available for pre-order now, and will begin shipping in December 2018. The 80mm F1.9 will retail for $4845 / £3690 / €3990; the 65mm F2.8 will retail for $2750 / £2090 / €2290; the 135mm F2.8 will retail for $4050 / £3090 / €3390; bundling the 135mm F2.8 with the X Converter 1.7 brings the retail price to $4845 / £3690 / €3990.

Official sample images

Press release:

The Hasselblad XCD 80mm F1.9 isn't just the fastest lens for the medium-format system, it's Hasselblad's fastest lens ever. It provides a view equivalent to 63mm on full-frame, making it a solid candidate for portraiture. DPReview contributor Damien Demolder put it to work recently – take a look at the results.

See our Hasselblad XCD 80mm F1.9
sample gallery

I think there may be more than a few of us who have been told that we spend too long looking through a viewfinder instead of experiencing life first hand. And there will be plenty of us who know that sometimes we don’t get to experience an event because we are constantly looking for the best angle and thinking photography rather than feeling the moment as everyone else is.

Filmmaker Casey Cavanaugh has made a really cool film on the subject, and has created a wooden rig that allowed him to mount his Sony a7S above the viewfinder of a Hasselblad 500CM so he could record the movie through the viewfinder of the medium format film camera. I won’t spoil the story for you, but it doesn’t end well for the Hasselblad! Cavanaugh also shared the main actress in the film, Corrina VanHamlin, tragically passed away after it was made.

See the GxAce YouTube channel to watch Casey's other films. Cavanaugh is the same guy behind the DIY XPan camera videoDPReview shared last week.

Hasselblad has released an update to its medium format post-production program Phocus. Focus version 3.4 adds improvements across the board, including improved shadow and highlight tools, new adjustment layer tools, expanded live view options, new lens profile, and more.

The enhanced Shadow Fill and Highlight Recovery tools have been 'significantly enhanced.' Hasselblad says the updated algorithm 'enables photographers to fully utilize the dynamic range available in their images,' although exactly how it's changed remains a mystery. In the event the updated methodology isn't what a user wants, or the a user is working with previously-corrected images, Hasselblad has also included the old algorithm under a selectable version option.

Hasselblad has added Shadow Fill and Clarity options to the adjustment layer tools so they can now be used as local adjustments with the brush tool and linear and radial gradients. A new Detail tool has also been added under the exposure toolset. This new tool is used alongside the Clarity tool to fine-tune the local contrast in an image.

Focus 3.4 also includes a new Live View Aperture option that lets users 'to automatically open to the widest aperture possible or to use the selected aperture instead when activating live view.'

Also new is an updated Noise Filter tool and additional lens profiles for the following lenses:

• XCD 2,8/65
• XCD 1,9/80
• XCD 2,8/135 with X Converter 1.7

To download Hasselblad Phocus 3.4, head over to Hasselblad's Phocus download page.

Hasselblad has announced a firmware update for its X1D-50c medium format mirrorless camera that brings new and improved support to a number of lenses and a converter as well as added features and functionality within the camera itself.

In addition to improved autofocus compatibility with compatible HC/HCD lenses via the XH Adapter, firmware version 1.22 adds support for the following lenses and converter:

• XCD 65mm F2.8
• XCD 80mm F1.9
• XCD 135mm F2.8
• H 1.7x Converter

Also in the update is a new exposure bracketing option that makes it possible to set a timer to avoid camera shake when shooting long exposures, a new indication to let users know what Auto Focus Scan Range is being used (Near, Far, or Full) and a new customizable icon arrangement on the main menu screen of the X1D-50c.

It's also now possible to turn off the front-facing LED when using the self timer countdown and the ability to reset focus point in live view by pressing the Cross (X) button.

Firmware version 1.22 can be downloaded directly from Hasselblad's website.

Hasselblad has introduced a cable release for its X1D medium format rangefinder-style camera alongside a new USB double battery charger. The Release Cord X is 90cm/36in long and triggers the shutter in single shot and continuous modes, and controls the camera via its microphone socket.

Dual slots on the Battery Charging Hub allow for two batteries to be charged simultaneously and for the camera to be powered via the USB C connector. The hub can be plugged into the AC power supply to charge batteries and the camera, or it can be fed from a portable power bank. The hub is compatible with both battery varieties the camera takes, but charges the newer 3400mAh models 25% more quickly – in 2 hours 18 minutes for one and 2 hours 48 minutes for two. The older 3200mAh model takes 3 hours.

Batteries can be checked via the LED panel that monitors the charging process as well as providing a quick levels readout for partially charged units.

The Hasselblad Release Cord X will cost €69 / $80 / £64 / JPY¥9360 excl. VAT. / CNY¥629 incl. VAT, and the Battery Charging Hub will be €129 / $155 / £115 / JPY¥17460 excl. VAT / CNY¥1199 incl. VAT. For more information see the Hasselblad website.

Press release:

{pressrelease}

Hasselblad X system expands with Release Cord X and Battery Charging Hub

Hasselblad proudly expands its photographic tool kit for the X System with the introduction of the new Release Cord X and Battery Charging Hub. With Hasselblad’s full commitment to the development of the X System, these two new accessories alongside the introduction of the newest XCD Lenses greatly expand the creative capabilities of the revolutionary mirrorless medium format X1D-50c.

The Hasselblad Release Cord X allows for remote shutter actuation, an invaluable tool when eliminating shake or vibration is paramount. A durable cloth-wrapped 90cm (36 in.) cable connects to the X1D-50c’s microphone input port and the remote’s simple single button operation allows photographers to keep vibration to a minimum. When autofocus is enabled on the camera, a single action swiftly starts autofocus and then releases the shutter. Holding the button down when in Continuous Capture mode allows for multiple frames to be captured, whilst setting the camera in Manual Focus mode allows for Release Cord X to fire the shutter without delay. Its durable metal construction matches the adventurous endeavours of Hasselblad’s X System users and its slim, ergonomic design fits comfortably in the hand. For seamless functionality, the X1D should be updated to the latest 1.22 firmware available at My Hasselblad.

The Hasselblad Battery Charging Hub makes it possible for a Hasselblad photographer to streamline the battery charging process, allowing X1D photographers to go further with their creative pursuits. Its dual slots support the simultaneous charging of two batteries while an integrated USB Type-C connector supports mains power via an included power supply or from common external USB battery banks (sold separately). Front-facing LEDs indicate status and capacity when charging, or users can use the Battery Charging Hub to check battery levels simply by inserting a battery and pressing a single button. The Battery Charging Hub supports both first-generation 3200mAh X System batteries and current 3400mAh batteries, the latter of which support quick-charging up to 25% faster than the former. This equates to a completely replenished single battery in 2 hours 18 minutes, or dual batteries in 2 hours 48 minutes. First-generation 3200mAh batteries recharge completely in approximately 3 hours and completed charging cycles are indicated by an audible chime in either situation. With a durable metal construction and compact design, the Battery Charging Hub is posed to simplify a critical aspect of photography and ensure that maximum creative vision can be achieved.

The Hasselblad Release Cord X is available to purchase with an MSRP of €69 / $80 / £64 / JPY¥9360 excl. VAT. / CNY¥629 incl. VAT.

The Hasselblad Battery Charging Hub is available to purchase with an MSRP of €129 / $155 / £115 / JPY¥17460 excl. VAT / CNY¥1199 incl. VAT.

{/pressrelease}

Through his YouTube channel GxAce, cinematographer Casey Cavanaugh has published a new video showcasing his homemade 'GX-Pan' anamorphic lens adapter used with the $32k Hasselblad H6D-100C medium-format digital camera.

According to Cavanaugh, Hasselblad saw the video in which he unveiled his DIY anamorphic lens adapter setup and offered to let him test it with the medium-format model. 'I was absolutely blown away by how much my little anamorphic lens resolved on that 100MP sensor,' Cavanaugh says in his video. 'I was honestly worried that it wasn't going to hold up to that scrutiny of 100MP.'

Cavanaugh explains that in addition to being an anamorphic lens created for a Super 16 projection, the unit also has a persistent fungus problem that has proven difficult to eliminate. In light of that, says Cavanaugh, the 'insanely sharp' images produced by the setup were 'honestly very surprising.' The demonstration also includes short video clips shot with the system.

Cavanaugh's previous content includes tips on purchasing a film camera and a short award-winning film on the risks of photo obsession. A selection of his anamorphic still images are available on his website.

Hasselblad will be reintroducing its medium format digital back for its V-system medium format film cameras, and has announced a new slimline X-series body to go with it. The new CFV ll 50C will feature a tilting screen to emulate the waist level finder experience, while the 907X will create an interface between the digital back and the company’s XCD lenses.

The original CFV digital back disappeared at about the time the X1D arrived in 2016, with Hasselblad citing a shortage of 50 Megapixel (43.8 x 32.9 mm) CMOS sensors as it clambered to meet demand for the new medium format X body. This new version brings with it some of the advantages of the new X1D ll 50C, including a touchscreen and the new style menu that the new camera has adopted. Of great relief will be that the battery is incorporated into the body of the back instead of hanging from below as in the original version. The battery will be the same 3400 mAh unit that is used in the X1D ll 50C, and it can also be charged via USB while still in the back.

The 907X body with the new CFV ll 50C back compared to the X1D ll 50C

The new 907X camera is tiny slip of a camera that allows X-series lenses to be mounted on the CFV ll 50C back. Designed in the classic Hasselblad style, the camera has a chrome shutter button on the front, and a black and chrome finish on the rest of the body. While the native mount will be for the X lenses, almost all H lenses will be able to be used via an adapter. Adapters will also allow XPan and classic V lenses to be used.

The company says a grip and an optical viewfinder will be available once the body is released.

Together with the CFV digital back, the new 907X isn’t a hundred miles from the V1D concept camera that Hasselblad displayed at Photokina in 2016. That idea was designed to be modular, and was shown with a grip and a moveable screen. This doesn’t have a screen that can be placed on the top of the body, but the CFV ll 50C does have a flip up screen that might go some way towards feeling like the same thing.

Neither CFV ll 50C or 907X have a price or a delivery date yet, but we are promised more information later this year. For more information see the Hasselblad website.

Press release

Hasselblad’s press release says its first zoom lens for the X system is ‘eagerly awaited’, though some users might consider ‘much delayed’ a more accurate phrase. Promised in 2017, the XCD 35-75mm F3.5-4.5 should finally be arriving in stores in October this year.

The company seems to think it will all be worth the wait though, as its chief designer declares it to be the ‘best zoom lens available on the market’. Said to offer the same edge-to-edge image quality as a series of prime lenses, Hasselblad claims it is the best lens it has ever developed.

Using an internal focusing system that allows the lens to retain the same compact dimensions throughout the zoom range, the lens is said to provide fast AF in a lightweight package.

The Hasselblad XCD 3.5-4.5/35-75 Zoom lens will cost $5175 / €4500 / £4050. For more information see the Hasselblad website.

Press release

Hasselblad has released a new version of its X1D medium format digital camera that offers a range of upgraded features and a speedier operating system. With improvements based around user feedback, the X1D ll 50C offers a larger rear screen, a higher resolution EVF, faster startup and reduced lag, as well as a collection of menu and interface changes. Hasselblad says the new camera offers a ‘quicker and more intuitive medium format experience’. Critically though, the new version will cost a good deal less than the original X1D, presumably to bring it closer to the price of the Fujifilm GFX 50R.

Using the same body and pixel-count as the original X1D 50C, the X1D ll 50C is clearly an upgrade rather than a completely new camera, a fact reflected in the naming convention. A new processor appears to have been used that speeds up the operating system so that the time it takes the camera to start up is cut by 46%, shutter lag is cut and the blackout time between frames is reduced.

Users will get an extra 0.4 fps on the maximum drive mode taking the frame rate to 2.7 fps, and the time it takes to preview and scroll through recorded images has been decreased. The new processor allows a 62% better refresh rate in the viewfinder too – it’s now 60 fps – and focus accuracy has been improved.

Hasselblad claims the 3.6" rear screen is the largest available on a digital medium format camera, and has increased the resolution to 1024x768 dots-per-inch with the total number of dots standing at 2.36 million compared to the 920,000 screen used on the original model. Likewise, the EVF resolution has jumped from 2.36 million dots to 3.69 million (1024x768 vs 1280x960), and the new 0.87x magnification gives users a bigger view.

Hasselblad says the camera’s menu system has been tweaked to make it more logical and to deliver easier access to the functions, while new icons and clearer language make finding what you are looking for more straightforward. The menu can now be displayed and operated in the viewfinder, while a new system for touch AF has been incorporated and the control screen will now display more information, including self-timer and a Balance Scale to indicate exposure adjustments.

JPEG users will be pleased to hear that the X1D ll 50C allows not only full sized JPEG images but that JPEGs can be recorded on their own with no Raw accompaniment. And, the company says the quality of its JPEG files has improved – though we don’t get to know how exactly.

The camera’s 3400 mAh battery can be charged either in an external charging block or in-camera via the USB socket. This also allows the battery to be charged via a powerbank when on the location. Another new feature is that a GPS module is now built into the body instead of being supplied as a hot shoe accessory. This saves the $175 that it costs for the hotshoe model used with the original body if one wasn’t supplied with your camera, while freeing up the hot shoe for a flash unit.

The Hasselblad X1D ll 50C will be available in July 2019 and will cost $5750/€5000/£4500. For more information see the Hasselblad website.

Phocus Mobile 2 allows Raw download and cabled connection

Hasselblad has also updated its Phocus Mobile iOS app so that now users can not only control the camera and rate images, but additionally download Raw and JPEG files to their iPad Pro and iPad Air (2019) devices. The app can connect to the X1D ll 50C either via Wi-Fi as before or via the camera’s USB-C port, and will now support tethered shooting.
Phocus Mobile 2 is free, and will be available on Apple’s App Store.

Press release

Hasselblad has released a new version of its X1D medium format digital camera that offers a range of upgraded features and a speedier operating system. With improvements based around user feedback, the X1D II 50C offers a larger rear screen, a higher resolution EVF, faster startup and reduced lag, as well as a collection of menu and interface changes. Hasselblad says the new camera offers a ‘quicker and more intuitive medium format experience’. Critically though, the new version will cost a good deal less than the original X1D, presumably to bring it closer to the price of the Fujifilm GFX 50R.

Using the same body and pixel-count as the original X1D 50C, the Mark II is clearly an upgrade rather than a completely new camera, a fact reflected in the naming convention. A new processor appears to have been used that speeds up the operating system so that the time it takes the camera to start up is cut by 46%, shutter lag is cut and the blackout time between frames is reduced.

Users will get an extra 0.4 fps on the maximum drive mode taking the frame rate to 2.7 fps, and the time it takes to preview and scroll through recorded images has been decreased. The new processor allows a 62% better refresh rate in the viewfinder too – it’s now 60 fps – and focus accuracy has been improved.

Hasselblad claims the 3.6" rear screen is the largest available on a digital medium format camera, and has increased the resolution to 1024x768 pixels with the total number of dots standing at 2.36M compared to the 920,000 screen used on the original model. Likewise, the EVF resolution has jumped from 2.36M dots to 3.69M (1024x768 vs 1280x960), and the new 0.87x magnification gives users a bigger view.

Hasselblad says the camera’s menu system has been tweaked to make it more logical and to deliver easier access to the functions, while new icons and clearer language make finding what you are looking for more straightforward. The menu can now be displayed and operated in the viewfinder, while a new system for touch AF has been incorporated and the control screen will now display more information, including self-timer and a Balance Scale to indicate exposure adjustments.

JPEG users will be pleased to hear that the X1D ll 50C allows not only full sized JPEG images but that JPEGs can be recorded on their own with no Raw accompaniment. And, the company says the quality of its JPEG files has improved – though we don’t get to know how exactly.

The camera’s 24.7Wh battery can be charged either in an external charging block or in-camera via the USB socket. This also allows the battery to be charged via a powerbank when on the location. Another new feature is that a GPS module is now built into the body instead of being supplied as a hot shoe accessory. This saves the $175 that it costs for the hotshoe model used with the original body if one wasn’t supplied with your camera, while freeing up the hot shoe for a flash unit.

The Hasselblad X1D II 50C will be available in July 2019 and will cost $5750 (before tax) or €6000/£5400 (inc VAT). For more information see the Hasselblad website.

Phocus Mobile 2 allows Raw download and cabled connection

Hasselblad has also updated its Phocus Mobile iOS app so that now users can not only control the camera and rate images, but additionally download Raw and JPEG files to their iPad Pro and iPad Air (2019) devices. The app can connect to the X1D II 50C either via Wi-Fi as before or via the camera’s USB-C port, and will now support tethered shooting.
Phocus Mobile 2 is free, and will be available on Apple’s App Store.

Press release

Hands on with Hasselblad's X1D II 50C

The new Hasselblad X1D II 50C is housed in a body that’s almost exactly the same as that used for the original X1D 50C. You will notice that the top plate and metal trim are now a dark grey instead of the lighter shade brushed chrome used on the original model, but there isn’t too much to tell them apart at first glance.

Hasselblad's first X system zoom lens

This is the camera with the new 35-75mm F3.5-4.5 lens mounted. This is the first zoom for the X system and is said to produce the quality that exceeds prime lenses. While it is relatively big when compared to the other system lenses it is still well balanced and comfortable on the X1D II 50C body. It isn’t nearly as heavy as it looks either, at 1115g weighing only a bit more than a Nikon 24-70mm F2.8 for the F system. For a medium format lens it is doing quite well.

X1D II 50C top view

The top plate remains unchanged from the previous model, with a Nikon-compatible hotshoe, and the same control layout and operation as before.

Grip changes

There is a slightly different shape to the right hand grip in the new version I’m told. The grip is slightly more angled to the main body, and the finger and thumb holds are a little more pronounced, providing a more secure grip with longer lenses. The difference isn’t dramatic and I’m not sure I could tell without direct comparison, but the grip feels good either way.

Rear screen changes

The change in the rear screen though is dramatic. The new 3.6" display looks significantly bigger and fills a lot more of the back of the camera than the screen on the original model. We have a much higher resolution too, with 2.36 million dots compared to 920k dots, which leads to much greater detail on display.

Higher resolution viewfinder

The viewfinder enjoys a higher resolution as well as a slightly larger magnification of the image on display. The resolution has jumped from 2.36 million dots to 3.69 million, and when you look through the finder window you can see the effect of that extra detail. The refresh rate is also improved to 60 fps which makes a further significant difference. These three changes make this viewfinder a much more modern device and very nice to use.

USB-C and UHS-II

The switch to USB-C allows better communication with external devices, so large files can be moved more quickly to a user’s iPad or computer when shooting tethered or when downloading captured images. The camera has dual SD slots that have been upgraded to UHS-II and which can accept 1TB cards.

Few changes to UI

The main menu screen hasn’t really changed that much. Some of the icons are redrawn to be clearer and with the higher resolution display everything looks a bit sharper and cleaner.

Menu navigation

Accessing the menu items though has changed, so now we have menus in menus, like folders, instead of big long lists of items which take ages to scroll through. The menu can now be viewed in the viewfinder too, which can make operation a good deal more convenient.

Shooting data

The main shooting data display is much the same as before, though now we have the exposure indicator in the middle of the screen.

More responsive touch control

I was very pleased with the reactions of the touch functions and how much more responsive they are now. Touching your subject on the rear screen brings the AF area to that point and the focusing system to life immediately. It is a dramatic improvement on previous performance. We can now also change the size of the AF area just by pinching with two fingers on the rear screen, which is much quicker than before. The three AF area sizes options are still accessible in the menu as well.

Touch pad AF

Now the rear screen can be used as a touch pad to direct the AF area while our eye is to the viewfinder. This also is a massive improvement, and the system works quickly, smoothly and predictably.

Hands-on with the Hasselblad CFV II 50C and 907X

The Hasselblad CFV II 50C is an upgraded version of the original CFV 50C digital back that was launched in 2014. This new model though comes, I assume, with the benefits of the speed improvements in the X1D II 50C that make operation quicker, and that it will provide large JPEGs as well as general improved quality in JPEG files.

The back is exciting in as much as it is designed to work with V-system film camera bodies to bring them into the modern age: even some of the earliest Hasselblad models from the 1950s.

What makes this version much more exciting though is that is also designed to couple with a new 907X body that accepts the X-series lenses – so the CFV II 50C back is a gateway not only to digitizing older classic bodies, but also to using the new X lenses in a smaller, classic-style format. Here the CFV II 50C back is married to the 907X body and mounted with the XCD 65mm F2.8 lens.

Hands-on with the Hasselblad CFV II 50C and 907X

The back is designed very much in the classic Hasselblad style, and the 907X body is made to match. The black textured finish and chrome trim is straight from the first mainstream Hasselblad medium format film bodies.

This side of the 907X body features only the strap lugs, while the CFV II 50C has its USB-C socket disguised as something like a frame counter window on the A12 film back. It is all quite minimalist this side.

Hands-on with the Hasselblad CFV II 50C and 907X

Underneath we have a collection of screw mounts and sockets. On the left are the connections that will allow the 907X to communicate with the optional grip that Hasselblad will introduce with the camera. In videos shown of the system the grip has a shutter release and a collection of control points for directing the operation of the body.

Hands-on with the Hasselblad CFV II 50C and 907X

Below the rear screen is a flap that conceals another series of connection ports. Sockets for microphone, headphone, HDMI, two sizes of flash connections (in and out) and Hasselblad’s ELX socket.

The flash sockets allow short cables to be used to connect wireless triggers and standard PC flash cables. It isn’t certain yet if the HDMI socket will survive into the final production model, I was told, so don’t count on it until the camera comes out.

Hands-on with the Hasselblad CFV II 50C and 907X

The CFV II 50C has a neat flip-out screen that allows viewing from three positions: folded flat to the back and slightly raised are just two of them. The screen has a collection of buttons for controlling the back and camera’s functions, and the buttons come up with the screen when it is angled away from the body.

Hands-on with the Hasselblad CFV II 50C and 907X

Here the screen is flipped up fully. It provides something of the waist-level finder experience of the classic V system bodies. Someone will probably invent a chimney-finder hood before the CFV II 50C even arrives on the market.

Hands-on with the Hasselblad CFV II 50C and 907X

The front of the 907X with the lens removed shows that there’s no body shutter so we see straight through to the sensor of the CFV II 50C. As all Hasselblad lenses use a lens shutter there's no need for one in this little camera.

The body carries the contacts that allow it to communicate with the lens to drive the AF, aperture and shutter commands.

Hands-on with the Hasselblad CFV II 50C and 907X

This new version of the CFV has an internal battery compartment so we no longer have to attach a battery to the outside of the body. The back accepts the same battery that is used in both X1D models. You can see too that there are dual SD card slots: most likely UHS-II, as with the new X1D II 50C.

Hands-on with the Hasselblad CFV II 50C and 907X

To access the battery compartment and the SD card slots, a panel on the side of the CFV II 50C is pulled backwards to reveal the hinge. Once this is done the compartment door springs open. It is a very neat design.

Hands-on with the Hasselblad CFV II 50C and 907X

The CFV II 50C digital back and the 907X camera body clip together in exactly the same way a film back mounts on the back of a V series camera. Guiding prongs at the bottom slide in first and then we just clip the top edges together.

Hands-on with the Hasselblad CFV II 50C and 907X

Away from the CFV II 50C the 907X body is very skinny. It really is more than just a mount adapter though, as it offers controls for the user as well as running functions like AF, aperture etc that you wouldn’t expect to be able to control from a digital back.

The 907X name comes from the SWC 9xx series that saw the 903 and 905 bodies designed to be used with super wide-angle lenses.

Hands-on with the Hasselblad CFV II 50C and 907X

The shutter release button on the 907X is positioned exactly where you would expect it to be on a classic Hasselblad, so that it can be operated with the same hand that cradles the body. Around the shutter release is a dial that can be used to adjust exposure settings.

Next to the dial, on the side of the camera, is a small button that can be used to toggle the dial’s function when the camera is used in manual mode. I guess it will also deal with exposure compensation in the semi-auto modes.

Hands-on with the Hasselblad CFV II 50C and 907X

The CFV II 50C is also fitted with a USB-C socket for tethered shooting and for downloading images from the memory cards. The socket can also be used for charging the battery, though I’m not sure whether it can be used to power the back while it is in use as well.

The CFV II 50C has a whole new row of contacts that the original version didn’t have. These are to allow the back to interface with the 907X.

Hands-on with the Hasselblad CFV II 50C and 907X

In Hasselblad’s publicity the CFV II 50C and 907X set up is shown with an optical viewfinder mounted on the top of the camera section, just as the SWC models had.

I couldn’t see how this could be done on the pre-production example I was using as there is no hot shoe or obvious mounting area. There is chance that Hasselblad name plate will flip up to allow accessories to be mounted. This one though was firmly rooted in place.

Hands-on with the Hasselblad CFV II 50C and 907X

Here’s the CFV II 50C mounted on the back of a Hasselblad 503 CX – a model made between 1989 and 1994. This is a relatively modern model that still fetches just under $2000 with an A12 back and a good 80mm F2.8 standard lens. The CFV II 50C looks completely at home on it, and there is little to tell us that it wasn’t made at the same time as the camera.

Hasselblad bodies don’t have too much trouble holding their value on the second-hand market, but we should expect rising prices over the next few months as interest in these models is peaked and the V-system comes back to life once again.